#localturnon shares a teaser of the recently performed “Maula” – A Group #Kathak Dance #Performance by Subha Dance Company and #Choreographed by BHARTI DANG at the IHC (7th Aug). It is an amalgamation of #AMIRKHUSROO, music-e-sufiyana, a narrative stitched with beautiful #choreography, costumes, #expression, playful lighting apt for the scenes and above all a superb performance that compels you to say WAH WAH WAH!!
A Standing ovation for the artists came naturally from all present and it goes to show the hard work, the dedication and passion that the group inherits.
As always our endeavor is to bring and share such known and yet unknown performances that seem to be taking place on regular basis around us in our city. As we have always maintained ..#turnon #dance #turnon #happiness #turnon #life!
Kathak is one of the ten major forms of Indian classical dance.The origin of Kathak is traditionally attributed to the traveling bards of ancient northern India known as Kathakars or storytellers.The term Kathak is derived from the Vedic Sanskrit word Katha which means “story”, and Kathaka which means “he who tells a story”, or “to do with stories”.Wandering Kathakas communicated stories from the great epics and ancient mythology through dance, songs and music in a manner similar to early Greek theatre. Kathak evolved during the Bhakti movement, particularly by incorporating the childhood and stories of the Hindu god Krishna, as well as independently in the courts of north Indian kingdoms.
Kathak is found in three distinct forms, named after the cities where the Kathak dance tradition evolved – Jaipur, Banaras and Lucknow. Stylistically, the Kathak dance form emphasizes rhythmic foot movements, adorned with small bells (Ghungroo), and the movement harmonized to the music.The legs and torso are generally straight, and the story is told through a developed vocabulary based on the gestures of arms and upper body movement, facial expressions, stage movements, bends and turns. The main focus of the dance becomes the eyes and the foot movements. The eyes work as a medium of communication of the story the dancer is trying to communicate. With the eyebrows the dancer gives various facial expressions.The difference between the sub-traditions is the relative emphasis between acting versus footwork, with Lucknow style emphasizing acting and Jaipur style famed for its spectacular footwork.
Kathak as a performance art survived and thrived as an oral tradition, learnt and innovated from one generation to another verbally and through practice.It transitioned, adapted and integrated the tastes of the Mughal courts in the 16th and 17th century particularly Akbar, was ridiculed and declined in the colonial British era, then was reborn as India gained independence and sought to rediscover its ancient roots and a sense of national identity through the arts.
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#turnon #Music | #turnon #happiness | #turnon #Life!